include light plot
This show utilizes lights to assist in telling the story of Orpheus and Eurydice.
It's a sad song, its a tragedy, but we can enjoy some moments along the way.
I used lights to support the story and convey the highs and the lows along the railroad track on the road to hell. My design highlights the recurring themes such as hope, poverty, power, and love.
The lighting defines both world and emotional perspectives, with color and intensity, as well as clearly defining overworld vs. underworld, and the feelings of the characters.
Across both worlds, emotional undertones drive the design. I used cool tones to isolate the characters in moments of doubt or disconnection, allowing the warmth to feel more impactful when it returns.
My research involved watching a touring production of this show, as well as searching the script and other resources for information and ideas that I could execute upon. My process also involved scouting the theater beforehand to discern plausibility for my various ideas. For example, at the beginning of the process, I worked with our set designer to try and build 6 hanging lamps for the workers, similar to the touring and broadway productions of this show. In the end, it was deemed impractical to do, due to the 3-week rehearsal schedule.
This is the magic sheet I used to program the show, including all of our LEDs, practicals, and even our haze and fog machines.
Representative sample of the scripot with cues
indicated
If the production was realized, a photo series or
short video (no longer than 1 minute) that highlights
three (3) lighting cues that communicate the same details
as above.